|
A.1. Waste Paper
Co. Ltd., Racism, 1986, Photomontage, 8 1/4" x 5
3/4" |
|
|
Al Ackerman, Sub
Waxin Haddock, and Rhoda Mappo, J-Wax, n.d.,
Photomontage on envelope, 4 3/4" x 13 1/4" |
Image Not Available |
|
Anonymous,
Masturbation Unit...Clitoral Stimulator...Fanny
Tickler, n.d., Wooden sculpting tool in plastic
container, 6 1/2" x 7" x 3/4" |
|
|
Anonymous,The
Last Correspondence Show, 1976, Exhibition poster, 10" x
8" |
|
|
Anonymous,
Canadada International Post Card Show, 1976,
Exhibition poster, 10" x 8" |
|
|
Charles
Amirkhanian, Ray Man Ray, 1974, Rubber stamp imprint
on paper, 12 3/8" x 8 1/2" |
|
|
M.P. Anker, Mail
Art New's, n.d., Collaborative newsletter, 11 9/16" x 8
1/4" |
|
|
Art Rat,
Poem, 1973, Concrete poem, 11" x 8 1/2" |
|
|
Avelino de Araujo,
I Love Apartheid, n.d., Serigraph, 3 3/4" x 4
1/4" |
|
|
Dana
Atchley, Space Pack, 1971-72, Pamphlet, 10 7/8" x 16
5/8" |
|
|
Gabor Attalai,
Louse Terrace, 1970-72, Photograph, 5 1/2" x 4
1/8" |
|
|
Anna Banana,
Royal Order of Banana, n.d., Certificate, 8 1/2" x
11" |
Image Not Available |
|
Anna Banana,
Dada Brothers, 1976, Postcard, 3 1/2" x 5 1/2" |
|
|
Anna Banana,
Untitled, n.d., Letter, 13" x 8" |
|
|
Anna Banana,
Home Lessons in Tap Dancing, n.d., Photomontage, 7
3/4" x 5 1/8" |
|
|
Vittore Baroni and
Michael Scott, Great Men, 1980, Postage stamp sheet,
13" 8 3/4" |
|
|
Vittore Baroni,
Untitled, 1980, Postage stamp sheet, 13" x 8 3/4" |
|
|
Vittore Baroni,
Attention Fans!!, 1979, 12 1/4" x 6"; Ba ba bab
babbo, c. 1979, 11 1/2" x 6"; Two works, objects sealed
in plastic |
|
|
Patrick Beilman,
Cow Town Art, Personal Stationery, n.d., Letter and
postage stamps, 11" x 8 1/2" |
|
|
Patrick Beilman,
Beef Stew, n.d., 8 1/2" x 11"; Cow Town 9,
1979, 8 1/2" x 11"; Two postcards with postage stamp, rubber
stamp imprint and sticker, |
|
|
Patrick Beilman,
Cow Town Art: Best Look Series, 1980, 8 1/2" x 11";
Cow Town Art & Doo-Da Postage Works: Information
Combine, n.d., 8 1/2" x 11"; Three postage stamp
sheets |
|
|
Patrick Beilman,
Cow Town Art: Bullcum Series, n.d., Postage stamp
sheet, 8 7/16" x 13 15/16" |
|
|
Joseph Beuys and
Ken Friedman, Fluxus Zone West/Fluxus West, n.d.,
Postcard (two versions), 4 1/8" x 5 13/16" |
|
|
Michael Bidner,
Artistamp, n.d., Stamps in envelope and postage stamp
sheet, 4 1/8" x 5 1/2" |
|
|
Blitzinformation,
Dear Lady Corverdale, 1973, 10" x 8"; Dear
Sir, 1973, 10" x 8"; Two letters |
|
|
Paulo Bruscky,
Pyramid, 1978, Collage on cardboard pyramid, 5" x 4
1/2" x 4 1/2" |
|
|
Paulo Bruscky,
SOS, 1977, Altered telegram, 9" x 7 1/8" |
|
|
Paulo Bruscky,
Latin America, n.d., Map with rubber stamp imprint,
12 3/4" x 8 1/2" |
|
|
Cabaret Voltaire,
Untitled, n.d., Matzo encased in plastic, 4 1/2" x
7" |
|
|
Ulises Carrion,
Essay on Correspondence Art, 1977, Text, 11 5/8" x 8
1/4" |
|
|
Paul Carter,
Trans Global Painting, 1976, Proposal for
collaboration, 11 11/16" x 8 9/16" |
|
|
Tony Bradley, Paul
Carter, Buster Cleveland, Robin Crozier, David Drummond and
Andrew Nevai, Now You Can Change When Fashions Do,
1978, Assemblage, 11 1/2" x 8 1/8" |
|
|
Guglielmo Achille
Cavellini, Artcompass 1977, 1977, Stickers, rubber
stamp imprints, postage stamp on printed sheet, 13 3/4" x 19
5/8" |
|
|
Guglielmo Achille
Cavellini, Poste Italiane L.50, 1977, 11 3/4" x 7
5/8"; Poste Italiane L.50, 1977, 11 3/4" x 7 5/8";
Poste Italiane L.50, 1978, 11 7/8" x 9 1/4"; Three
postage stamp sheets |
|
|
Guglielmo Achille
Cavellini, I hereby authorize, 1979, Certificate, 14
1/2" x 7 1/2" |
|
|
Guglielmo Achille
Cavellini, Operation round-trip No. 1487 (33x51),
1979, Sticker, postage stamps, rubber stamp imprints and
photograph on envelope, 19 3/4" x 13" |
|
|
Piermario Ciani
with Vittore Baroni, Sticker News, n.d.,Adhesive
stickers, 5 7/8" x 4 1/8" |
|
|
Buster Cleveland
with Guglielmo Cavellini, Mail Art International 1982 -
Post Cents 333, 1983, Postage stamp sheet, 9 3/4" x 13
11/16" |
|
|
Buster Cleveland
and Rockola, HOLLYWOOD SQ, 1980, Color photocopy, 11"
x 8 1/2" |
|
|
Buster Cleveland,
Untitled, n.d., 5 7/16" x 3 1/2"; Dada is
Silly, n.d., 6 1/4" x 3 3/4"; Two photomontages on
postcards |
|
|
Buster Cleveland,
Buster Post 84, n.d.; Buster Post 69, n.d.;
California Dada, n.d.; Fame, n.d., Four
paste-ups for postage stamps, 11" x 8 1/2" each |
|
|
Buster Cleveland,
Sexual Art: The True Mainstream, n.d.,Postage stamp
sheet, 13 15/16" x 8 1/2" |
|
|
Buster Cleveland,
Rush, Rush, Rush, Rush, Rush, n.d., Color photocopy,
13 15/16" x 8 1/2" |
|
|
Buster Cleveland,
Untitled, n.d., 5 7/16" x 8 1/2"; Buster Post
13, n.d., 11" x 8 1/2", Two transfer prints with postage
stamp |
|
|
Buster Cleveland,
DADA: Lucky Strike, n.d., Color photocopy, 11" x 8
1/2" |
|
|
Fletcher Copp,
Not Paint Rag, 1977, White sock and color slide, 3" x
18 1/2" |
|
|
COUM Transmissions,
Gary Gilmore Memorial Society, 1977, Postcard, 3 1/2"
x 5 3/4" |
|
|
Richard Craven,
Blackie, n.d., 5 15/16" x 4"; This is Not a
Poem, 1969, 5 7/16" x 3 1/4"; Two postcards |
|
|
Robin Crozier,
Art in the Street, 1977, Six postcards in envelope,
Irr. 4 1/2" x 6 1/4" |
|
|
Robin Crozier, A
Travelling Exhibition, 1977, Twenty cards in envelope,
Irr. 3 1/2" x 6 1/4" |
|
|
Robin Crozier,
APart/ratHATE, 1986, Ink on paper, 11 5/8" x 8
1/2" |
|
|
Robin Crozier,
Throw this away!, n.d., 3 1/2" x 5 1/2"; Portrait
of Robin Crozier, 1974, 4" x 6"; Tree, n.d., 4" x
6", Three postcards |
|
|
Robin Crozier,
Dear Mike, 1977, Letter and three postcards, 11" x 8
1/2" |
|
|
Dadaland,
Fe.Mail Art, 1978, Printed image on envelope, 12" x
9" |
|
|
Dadaland,
Russolo Is One Of The Most Underrated Artists Of The 20th
Century, n.d., Half tone print and text, 11" x 8
1/2" |
Image Not |
|
Lowell Darling,
Master of Finds Art, 1971, Certificate, 8 1/2" x
11" |
|
|
Rio Depresso,
Untitled, 1978, Drawings, cloth and jewelry on card,
5" x 7 1/2" |
|
|
Mark Dicey,
Untitled, 1986, Rubber stamp imprint, photocopy and
ink on paper, 11" x 8 1/2" |
|
|
Doo-Da Mail Art,
One Citizen to Go... & Hold the Mayo, 1974, Color
photocopy, 8 1/2" x 14" |
|
|
Doo-Da Postage
Works, 1st New York Stamp Invite, 1977, Two postage
stamp sheets, 11" x 8 1/2" |
|
|
Leonhard Frank
Duch, Art and Life, n.d., Rubber stamp imprint on
paper, 11" x 8" |
|
|
Tom Duffy, At the
Height of Human Folly, n.d., Wooden peg and mailing label,
Irr. 3 1/4" x 6" |
|
|
Steven Durland and
E.F. Higgins III, Portrait of the Artist, 1981, Ink,
collage, rubber stamp imprints and postage stamps on two
envelopes, 9" x 11 7/8" |
|
|
Eat Art, Art
History and Earth, 1979, Earth and text on postcard, 8
7/8" x 6 7/8" |
|
|
Eat Art, One
Light Recorder, n.d., Canvas on stretcher, 4" x 6" x
1/2" |
|
|
Eat Art,
Remove, 1977, Envelope with jigsaw puzzle pieces, 3
3/4" x 6 1/4" |
|
|
Édition
Vehicule, Affaire Corridart, 1977, Postcard booklet,
4" x 9 3/4" |
|
|
Richard Ellin,
The 'smallest' creative act, 1977, Two postcards, 3
1/2" x 5 1/2" each |
|
|
Robert Filliou,
The Propositions and Principles of Robert Filliou (Part
One), 1978, Text on paper, 11 5/8" x 8 1/4" |
|
|
Robert Filliou,
Envelope, a Postcard, 1976, Envelope, 4 1/4 x 6
1/4" |
|
|
Ian Hamilton Finlay
with Ron Costley, National Flag Series: Arcadia,
n.d., Serigraph on postcard, 4 1/16" x 5 3/4" |
|
|
Ian Hamilton
Finlay, National Flag Series: Cythera, n.d.,
Serigraph on postcard, 4" x 5 3/4" |
|
|
Five/Cinq,
Five/Cinq Aesthetic Limited, 1979, Certificate, 8
3/4" x 11 1/4" |
|
|
Hans R. Fricker,
Networkingmaterial, 1992, Envelope and letter, 8 1/2"
x 8 5/8" |
|
|
Ken Friedman,
Selections from the Rubber Stamp Museum, 1965-1975,
One hundred and thirteen rubber stamps, Irr. |
|
|
Ken Friedman,
Fluxpost Commemorative Issue, 1974, Postage stamp
sheet, 9 15/16" x 12 5/16" |
|
|
Ken Friedman,
Omaha Flow Systems, 1973, Exhibition poster, 17" x 11
3/8" |
|
|
Ken Friedman,
StarTING at ENDInG, 1967; Sock of the Month
Club, 1978, Two photocopies with text, 11" x 8 1/2"
each |
|
|
Ken Friedman,
I've Really Got to Hand It To You, 1973-1975, White
glove and address tag, 3" x 8 1/2" |
|
|
Ken Friedman,
Muted Palette, 1973-75, Painter's palette, 7 1/2" x
10 1/4"
|
|
|
Guerrilla Art
Action Group, Assorted Licenses, n.d., Licenses, Irr.
3" x 4 1/2" |
|
|
Guerrilla Art
Action Group, Ron Bled to Death in Stupor from BZ Phial:
Coroner, 1982, Communique on paper, 11" x 8 1/2" |
|
|
Bill Gaglione with
Buster Cleveland, Homage to Marcel Duchamp, 1978,
Postcard, Photograph by Nancy Frank, 3 3/4" x 5 5/8" |
|
|
George and Gilbert,
Cheerio, George and Gilbert, the sculptors, 1973,
Greeting card |
|
|
George in Georgia,
More leather-the walkin' kind, n.d., Leather sole, 4"
x 11 1/2" |
|
|
George in Georgia ,
In Japan an Overhand Knot is Good Luck Amulet, n.d.,
Irr. 4" x 14"; Heart of Dixie, n.d., Irr. 4 1/2" x
13";Genuine Ritual Article, 1978, Irr. 4" x 11 1/2",
Miscellaneous objects in three canvas pouches |
|
|
Johan van Geluwe,
Nelson Mandela: Leader of the Nation, 1986,
Photomontage and rubber stamp imprints on graph paper, 11
3/4" x 7 3/4" |
|
|
Jochen Gerz, The
Phone Book of Paris, 1970, Printed sheet, 11 5/8" x 8
1/4" |
|
|
Richard Hamilton,
Untitled, n.d., Postcard, 6" x 3 7/8" |
|
|
Richard Hamilton,
Mother, 1968, Postcard, 8" x 24 1/4" |
|
|
Bici (Forbes)
Hendricks and Geoffrey Hendricks, Fluxdivorce, 1971,
Announcement/invitation cut in two equal parts, 5 1/2" x 3
1/4" |
|
|
Geoffrey Hendricks,
Sky Post Cards, Nos. 1, 2, 3, & 5, n.d.,
Postcards, 3 1/2" x 5 1/2" each |
|
|
E.F. Higgins III,
Bob, Buster n' Me, 1976, Color photocopy, 8 1/2" x
14" |
Image Not |
|
E.F. Higgins III,
Doo-Da Postage Works, n.d.; Art Mail
Commemorative, 1980, Two postage stamp sheets, 8 1/2" x
11" each |
|
|
Davi Det Hompson,
An International Cyclopedia of Plans and Occurrences,
1973, Exhibition catalogue, 9" x 11 3/4" |
|
|
Davi Det Hompson,
Send me a letter, n.d., Text on paper, 11" x 8
1/2" |
|
|
Rev. Hunter,
Optical Illusion!, 1986, Collage and ink on paper,
11" x 8 1/2" |
|
|
Paula Humeres,
Untitled, 1986, Assemblage on postcard, 6" x 4
1/8" |
|
|
Indada,
6666, 1978; Untitled, n.d., Collage &
photocopy on two envelopes, 3 1/2" x 6" each |
|
|
Mahatmaa Kane
Jeeves, Untitled, n.d.; Untitled, n.d.; Oo
Wee Baby, n.d.; Maybe They'll Soon Learn to Respect
Me!, n.d.; Untitled, n.d.; Finder and Toe
Bondage, n.d., Press type, collage & photomontage on
six envelopes, 3 5/8" x 6 1/2" each |
|
|
Ray Johnson,
Glasses/In Reply to a Set of Glasses from Ken
Friedman, 1970, Pair of glasses, 3 3/4" x 5 3/4" |
|
|
Ray Johnson with
George Brecht, Untitled, 1977 |
|
|
Ray Johnson, How
To Draw a Tender Button, 1971, Rubber stamp imprint and
drawing on photocopy, 11" x 8 1/2" |
|
|
Ray Johnson,
Merry Xmas, 1975, 3 1/4" x 5 1/2"; Not Mad
Babab, 1979, 3 1/2" x 5 1/2", Rubber stamp imprint and
ink on two postcards |
|
|
Ray Johnson,
Untitled, 1972, Exhibition announcement, 24" x
18" |
|
|
Ray Johnson, Ray
Johnson's History of Video Art, 1978; Send Slips to
Lucy Lippard, n.d.; Ray Johnson 29 Large Drawings of
Chuc Clos, n.d. Three photocopied drawings, 11" x 8 1/2"
each |
|
|
Ray Johnson, A
Pair of Ears, ca 1968-70; The New York Correspondance
School Rabat, Morocco, c. 1968-70; You are invited to
a spare New York Correspondence School Meeting, 1968-70,
Three photocopied drawings, 11" x 8 1/2" each |
|
|
Ray Johnson, New
York Correspondance School, 1970, Exhibition
announcement, 11" x 8 1/2" |
|
|
Alison Knowles and
Pauline Oliveros, Pauline Oliveros at the Zoo, n.d.;
Roaring Brook, Vt., n.d.; Jessie Higgins with a
flower, n.d., 5 5/8" x 4 1/8" each; Hannah and Jessie
Higgins play in Roaring Brook, Vt., n.d., 4 1/8" x 5
5/8", Four postcards |
|
|
Andrzej Kostolowski
and Jaroslaw Kozlowski, Net, 1972, Envelope and two
sheets of text, 6 1/4" x 10 1/4" |
|
|
Pat and Dick
Larter, Femail Art, n.d., Photomontage, 19" x 13
1/8" |
|
|
Carol Law,
Untitled, 1974, Rubber stamp imprint on pape, 12 3/8"
x 8 1/2" |
|
|
Unhandeijara
Lisboa, Confidential, 1978, Postcard, 8 1/2" x 6
1/2" |
|
|
George Maciunas,
Fluxpost (Ageing Men), c. 1975, Postage stamp sheet,
11" x 8 1/2" |
|
|
J. Medeiros,
Untitled, 1977, Rubber stamp imprints on envelope, 7
7/8" x 11 3/16" |
|
|
Fred Mertz and the
US Postal Service, Claims & Inquiry Div., 1978,
Letter, slides and envelope, 5 1/4" x 8" |
|
|
Mohammed, The
Mohammed System, 1979, Diagram, 5 3/4" x 7 7/8" |
|
|
Mohammed, Unit
353: Romano Peli, 1979, Color photocopy, 11 1/2" x
8" |
|
|
Mohammed, The
Mohammed Project, selected units 1978-80, Ten color
photocopies, 11 3/4" x 8 1/2" each |
|
|
Michael Mollett,
Artist's Official Equipment, 1978, Two rubber stamps,
stamp pads, wood board and stamped texts on index cards,
Irr. 16 1/2" x 11" |
|
|
Tani Mouraud,
Postcard Performance, 1977, Postcards, Irr. 4" x
6" |
|
|
Brian Muldoon,
Slice of Cake, 1979, Sponge on paper plate, 6" x 6" x
1/2" |
|
|
Tom Ockerse,
Homage to Joseph Albers #2, 1978, Collage on
envelope, 12 3/4" x 12 3/4" |
|
|
Tom Packlick,
Untitled, n.d., Punch hole paper in plastic pouch, 4
1/4" x 6 1/4" |
|
|
Clemente Padin,
Happy Bicentennial, 1976, Instructions on paper, 10
7/8" x 8 3/8" |
|
|
Clemente Padin,
Festival of Creative Post, 1974, Exhibition
catalogue, 9 1/8" x 5 5/8" |
|
|
Claude Pelieu,
THE FÜHRER IS YOUR FRIEND, 1974, Photomontage,
5" x 5 3/4" |
|
|
Pawel Petasz,
Uniart, 1976; Untitled, n.d.; Uniart,
n.d.; Commonpress, Uniart, n.d., 4 1/4" x 6 3/8"
each; Petasz, Curiosum, 1977, 4 3/8" x 8 7/8";
Curiosum, 1976, 4 7/16" x 8 3/4", Rubber stamp
imprints, postage stamps on six envelopes |
|
|
Pawel Petasz,
Fake, n.d., 4 1/4" x 5 7/8"; They Call It Art,
n.d., 4 1/4" x 6 3/16", Rubber stamp imprint, ink, paint and
photomontage on two postcards |
|
|
Les Petites
Bonbons, Poetic License, 1973, License, 8 1/2" x
11" |
|
|
Genesis P-Orridge,
E Crazy Genius, 1977, Letter, 60" x 8" |
|
|
Genesis P-Orridge,
Her Majesty the Queen by a waterfall, nr. Balmoral,
1977, Postcard, 5 13/16" x 4 1/8" |
|
|
Terry Reid, A
brief history of correspondence art aerogramme, n.d.,
Aerogramme, Irr. 8 1/8" x 5" |
|
|
Robert Kerr and
Terry Reid, Inch Art Show, 1974, Announcement and
invitation, 16 1/4" x 11 3/8" |
|
|
Rockola, The
Forward Look, 1980, Color photocopy, 11 3/8" x 7
3/8" |
|
|
Rockola, Inter
dada 80, n.d., Envelope and color photocopy, 5 7/8" x
9" |
|
|
Rockola,
Untitled, 1979, 5 7/16" x 7 3/8"; Kool, 1980,
6 3/4" x 4 5/8"; Rockola, 1980, 4 1/8" x 6 1/4";
Three postcards |
|
|
Rockola, Copy
Center, 1980, Exhibition announcement, 5 3/4" x 6
1/8" |
|
|
Tomasz Schulz,
Art is contact is art, 1977, 4 3/16" x 6 3/4";
Sacrum, 1977, 4" x 6"; Two postcards |
|
|
Arthur Secunda,
Camembert President, 1977, Assemblage, 4 1/2" x 7" x
2 1/4" |
|
|
SIRQ, Buffalo
Energy Co., n.d., 5 1/4" x 4"; Postfolk Vogue,
n.d., 5" x 3 1/2"; Pop!, n.d., 5 1/8" x 4"; Good
Luck, n.d., 5 3/4" x 4 1/8"; Slavery is good for
business, n.d., 4" x 5 7/8"; Three Hundred Bucks
Worth of Lunatits, 1977, 5 3/8" x 4 1/4"; Six
postcards |
|
|
SIRQ, Near
Myth, n.d., White glove and postcard, 3 1/2" x 11
1/2" |
|
|
SIRQ, Deer
Lodge, Montana, 1978, 3 1/2" x 5 1/2"; Untitled,
1977, 3 1/2" x 5 3/4"; Two photomontages on postcards |
|
|
Pauline Smith,
Another Floral Tribute, 1977, Objects in plexiglass
box, 3 1/2" x 3" x 2" |
|
|
Pauline Smith,
Adolf Hitler, 1977, Objects in plastic bag, 4 3/4" x
4" |
|
|
Pauline Smith,
Adolf Hitler When young, 1977, Color photocopy, 7
3/4" x 8 1/2" |
|
|
Pauline Smith,
Mourn Corpse Club, 1977, Rubber stamp imprint on
printed sheet, 6 1/8" x 8 1/8" |
|
|
Pauline Smith,
Corpse Club-members only, 1978; Mourn, 1978;
Announcing a Day of Mourning, 1978; Rubber stamp
imprints on three envelopes, 4 1/4" x 8 5/8" each |
|
|
Pauline Smith,
Cape of No Hope, 1978, 4 1/8" x 5 7/8"; 2
Varieties, 1978, 3 1/2" x 5 1/2"; Pyramids Hid from
View by This Postcard, 1978, 3 7/16" x 5 3/8";
Untitled, 1978, 3 1/2" x 5 1/2"; To Left of This
Postcard, 1978, 3 3/8" x 5 3/8"; Canadian
Pyramid, 1978, 3 1/2" x 5 1/2"; Press type and rubber
stamp imprints and photomontage on six postcards |
|
|
Nicholas Spill,
Art in the Mail, 1976, Exhibition catalogue, 17 3/4"
x 14 15/16" |
|
|
Klaus Staeck,
Selling Out, 1974, 4 1/8" x 5 13/16"; Heidelberg
Castle (inner courtyard), 1972, 4 1/8" x 5
7/8"; Munich
Panorama, 1972, 4" x 5 3/4"; People's Art, 1977,
5 3/4" x 4 1/4"; The
Last Man, 1976, 5 3/4" x 4 1/4"; Torture
Republic, Argentina, 1978, 6 3/4" x 5 1/4";
Dairy Supplier,
1977, 5 3/4" x 4 1/4"; Please Call Me!, 1977 o 5 3/5"
x 4 1/4"; Asphyxiation,
1974, 5 3/4" x 4 1/4"; Construction
Lion, 1975, 5 3/4" x 4 1/8"; Fucking
Administrator, n.d., 5 3/4" x 4 1/8";
Eleven postcards |
|
|
Rolf Staeck,
Artletter: From me to you art contact is live,
1977,Collage |
Image Not |
|
Rolf Staeck,
Bitterfeld, 1977, 3 3/4" x 5 1/2"; The Junta Has
Established Itself, 1976, 5 3/4" x 4 1/8";
Art Belongs to
Everyone, 1977, 5 3/4" x 4 1/8"; Hallo Partner,
1977, 5 3/4" x 4 1/8"; Salute
to the Year of the Child, 1979, 4 1/8" x 5
7/8"; Five
postcards |
|
|
Kris TigerLady,
The Hayley Mills Club of Obsessions, n.d., 10 7/8" x 8
1/2"; Open Letter to Bryan Ferry, n.d., 11" x 8
1/2",Photomontage and letter |
|
|
Miroljub Todorovic,
Communication-Being-Thought, n.d., Text on paper, 8
1/2" x 11" |
|
|
Endre
Tót, Zeropost, 1976 |
|
|
Edgardo-Antonio
Vigo, (They) Died in Poverty, 1980, Envelope and
contents, 10" x 5" |
|
|
Edgardo-Antonio
Vigo and Horacio Zabala, Last International Exhibition of
Mail Art, 1975, Exhibition catalogue cover, 9 1/8" x 5
5/8" |
|
|
Graciela Marx Vigo
and Edgardo-Antonio Vigo, Untitled, n.d., Postage
stamp, 4 1/8" x 4 11/16" |
|
|
Wolf Vostell,
Duchamp Has Qualified The Object Into Art, 1972,
Postcard, 5 5/16" x 7 1/16" |
|
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Robert Watts,
Fluxpost 17-17, 1964, Postage stamp sheet, 11" x 8
1/2" |
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Robert Watts,
Giant Stamp Imprint Envelope: Signers of The Declaration
of Independence Letter, c. 1973, Envelope (letter
missing) |
Image Not |
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Martial Westburg,
Winners of the '49 Ray Rodrique "Look Alike"
Contest,1975, Offset print, 17 1/4" x 22 1/2" |
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Selena
Whitefeather, Loquats, n.d., 5 13/16" x 4 1/16";
Daddy Began to Take Pictures, 3 7/8" x 7", Two
postcards |
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Horacio Zabala,
Today Art is a Prison, 1978, Postcard, 4" x 6" |
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